Dialogue with HARTWIG KNACK, art historian and curator of the key exhibition of Danube dialogues festival (Germany)
DD: As one of the selectors of the exhibition Art in the Age of (Non) emotionality at Danube Dialogues 2015 edition, do you think that the persona of the artist as a source of emotions remains important or crucial in the flow of contemporary art? How do artists come...Dialogue with VLADIMIR BESKID, art historian and curator of the key exhibition of Danube dialogues festival (Slovakia)
DD: As one of the selectors of the exhibition Art in the Age of (Non) emotionality at Danube Dialogues 2015 edition, do you think that the persona of the artist as a source of emotions remains important or crucial in the flow of contemporary art? VB: The artist still...Dialogue with SAVA STEPANOV, art critic, artistic director and curator of the key exhibition of the Danube Dialogues (Serbia)
DD: How did you hit on the idea of “Art and the Age of Emotion/Non-emotionality” as the theme of this year’s festival of contemporary art? Is this an attempt at defining the prevailing situation in art today? How do artists come to grips with a depersonalized world...
Dialogue with LJUBOMIR VUČINIĆ, artist and professor at the Novi Sad Academy of Art (Serbia)
DD: In 2013 you exhibited in dialogue with the Austrian artist Joseph Linsinger at the Novi Sad City Museum. What are your impressions of this kind of cooperation, and what do you think of local artists presenting in dialogue with artists from other countries? From...